THE END.

She typed finality across the center of the page and closed the laptop with a snap.

What would it be this morning? She turned to her tea cabinet and opened it quietly. Maybe a green jasmine. She could tweet about it later and make Megan smile. Megan would have tweeted something about a new Earl Grey, and they would share fantasies about each other’s kitchens and tea cups. Or did Megan use a mug?

This would explain it. Why she typed, “The End.” This lack of attention to detail. Shouldn’t she know by now what Megan took her tea in? Hadn’t she read a few hundred tweets or more, about English Breakfasts and new green blends, a white tea for afternoon, and a cataloging of how many cups Megan had drunk by 9 pm? She had. Over and again, she had.

But she could not recall Megan’s imbibing-receptacle-of-choice. A novelist would remember these things. She would even be willing to research about tea, wouldn’t she? To create a believable character based on Megan? An authentic character who knew her basic pekoes from her golden tippys?

Novelists were like that. The real ones, anyway. The ones that Nobel Prize winner Mario Vargas Llosa wrote about in Letters to a Young Novelist. Flaubert, Proust, Thomas Wolfe.

She hadn’t made it past page 5 in Proust, had gotten hopelessly lost in his detailed descriptions and a vague sense that maybe he was in love with his mother. Really in love. Like maybe he would like to nurse again, but not quite like that. This could be wrong. She could have heard that somewhere and not picked it up by page 5 at all.

And had she even read Wolfe? She couldn’t remember that either, beyond what Vargas Llosa quoted, which she had just read on Monday. Thomas Wolfe likened the life of a writer to being infected by a worm that fed on his insides.

A worm?

It got worse. Vargas Llosa loved this image, had thought of it himself and was simply quoting Wolfe to say, You see? Being a writer is like having an insatiable parasite inside you.

Vargas Llosa’s worm was a tapeworm, and he had rolled out a few anecdotes about real people with real worms, including a few nineteenth-century ladies who purposely swallowed tapeworms that would eat their insides out, for the sake of social effect—along the lines of impressing the in-crowd with their stunningly slender waistlines.

She hated worms. Her own German grandmother had strung them on fishing lines, turned them loose by the hundreds in her garden, even smashed the “bad” ones between her thumb and middle finger, until their green insides popped out like a bilious pearl.

Laura put her hand to the edge of the granite countertop, feeling suddenly sick. A light sweat broke out across the back of her neck and a warmth spread through her limbs.

She’d better sit down on the floor, right here. Maybe someone would find her dead a few months from now, when her bills went unpaid and the repo guys jimmied the door.

Her laptop was plugged in, though, and the Word file was still open on the desktop—a single page of a novel she had never started, with the words “The End” typed smack in its center. As she sank to the floor, she managed a laugh. “The End.” They’d think it was a suicide note, wouldn’t they?

And there she’d be, where she was now, finally, thankfully. Cheek to the cool oak floor, having died of a worm.

“If you are a writer, stop whatever you are doing, unless you’re actually writing, and read The Novelist. From page one, Barkat dives deep into the writer’s mind as it really is… At times I felt I was reading the book and listening to the radio in my own head, and the words were identical. The Novelist soothed this writers soul, made me laugh, and uplifted my confidence. Hemingway said, ‘Writing is easy, just sit at the typewriter and bleed.’ Barkat covers all the in between moments so creatively. I thoroughly enjoyed The Novelist.”

—William Y., Amazon reviewer

 
Read a Rumors of Water excerpt
Read Making the Perfect Cup of Tea
Read Re-Covering Time

The post PEEK INTO THE NOVELIST appeared first on Emily D Tea Traveler.

If I can stop one heart from breaking,
I shall not live in vain;
If I can ease one life the aching,
Or cool one pain,
Or help one fainting robin
Unto his nest again,
I shall not live in vain.

—Emily Dickinson

 

Public domain poem from the volume edited by Mabel Loomis Todd and T.W. Higginson.

Read Wild Nights! Wild Nights!
Read Becoming Emily

The post IF I CAN STOP ONE HEART FROM BREAKING appeared first on Emily D Tea Traveler.

Wild nights! Wild nights!
Were I with thee,
Wild nights should be
Our luxury!

Futile the winds
To a heart in port, —
Done with the compass,
Done with the chart.

Rowing in Eden!
Ah! the sea!
Might I but moor
To-night in thee!

—Emily Dickinson

 

Public domain poem from the volume edited by Mabel Loomis Todd and T.W. Higginson.

Enjoy more poetry
Read Becoming Emily

The post WILD NIGHTS! WILD NIGHTS! appeared first on Emily D Tea Traveler.